Contemporary Beauty Portraits

Contemporary Beauty Portraits are special sessions where women can receive the star treatment with hair, makeup, fashion, styling and a full directed photoshoot. Every woman can look like a celebrity if she receives the star treatment!

Photographing ordinary women like celebrities. Because celebrities are just ordinary people who have had the star treatment. What is beauty? It’s in the eye of the beholder, right? I love photographing women and girls, even though most women I know are insecure about their looks. They want their hair to be different; they want to lose weight; they want to look younger; and they don’t like their chin/nose/ears/teeth/you name it!

I want every woman to have a photograph that shows her as those who love her see her, in all her perfect imperfection. This photograph will be the one that is treasured by her family long after she is gone. It will be the one reprinted in the family history book, or the one that grandchildren will use for the front of the biography project they do at school in year ten. I believe that if a woman has a portrait of herself that she loves, in which she thinks she looks great, it can have a really positive impact on her self-esteem!

What is a Contemporary Beauty Portrait? (Hint – It’s Not Glamour!) It’s all about the woman. Contemporary beauty photography has filled the void that “glamour” photography left when it went out of fashion. The term “glamour photography” brings back embarrassing memories of harsh lighting, feather boas, big hairstyles and blue eyeshadow; and it was big in the 1980s and 90s. There are now several genres of photography which are aimed specifically at women, which include boudoir photography, with tasteful images of semi-clad women with or without an erotic overtone. Then there is burlesque photography which photographs women in sexy poses with retro styling wearing corsets and makeup in the style of mid-20th century film stars.

Contemporary beauty portrait photography however is appealing to women who are bombarded daily with magazine covers, runway models, red carpet appearances and glitzy award ceremonies where celebrities appear perfectly groomed and made up, in exquisite gowns. Ordinary women need to know that cover girls, supermodels and celebrities do not wake up every day looking perfect. Ordinary women don’t look like that when they are putting out their rubbish, dropping kids at day-care, or when they’ve had a busy day in the sheep yards. And neither do celebrities ore models…

For the cover of a a high-end fashion magazine, the cover photo is a highly crafted image. No matter how many pouting selfies a woman can take, they can never compare to a professional photo shoot. The model will have spent a lot of time in preparation for the shoot. She will have been eating well, getting plenty of sleep and drinking a lot of water in the days leading up to a big shoot. She will have spent time waxing/threading/bleaching/plucking facial and body hair. A hair stylist would have touched up the cut and colour of her hair. And that is before she wakes up on the day of the shoot. On the day she would have at least two people fussing over her for a couple of hours getting hair and makeup professionally done to suit the mood of the shoot. There would be a stylist in charge of the overall shoot, who would have chosen the location and any props for the set, and maybe another fashion specialist concentrating on the outfits that she will wear.  On set there will be a photographer, with tens of thousands of dollars worth of cameras, lenses and lighting so that the images captured will reflect the quality of the magazine. The photographer would have at least one assistant, who would hold reflectors, adjust lights, change backdrops, and help set up and take down the gear. During the shoot the hair stylist would be fluffing up or smoothing down the hair and moving individual strands of hair to get everything just perfect. The makeup artist would be adding lip gloss, or brushing on powder to cut shine. The stylist would adjust the placement of props, arrange the fall of a garment, advise on poses and ensure that the photos convey the desired look. The photographer would be talking to the model, coaxing out the fine nuances of expression needed, changing the direction of her glance, the turn of her chin, the placement of hands and fingers. And then, out of maybe hundreds of shots, one would be selected for the cover of the magazine.

But it doesn’t end there! A new team starts work on the photos… There would be a digital editor who would work in photoshop to not only enhance what the photographer has captured, but also to subtly change what is there to exaggerate the look. The skin would be smoothed, removing any blemishes – acne, blackheads, stray hairs, fine wrinkle lines, scars, or smudged makeup. Then there could be other changes – the shape of lips enhanced, eyes enlarged, neck thinned and elongated, waste tucked in, limbs extended, eyebrows tweaked to adjust the arch. The finished image is pretty far removed from what was actually captured by the camera.

I am an Accredited Professional Photographer with the Australian Institute of Professional Photography. As such I am trained, educated, and skilled as a professional photographer, and I am continually updating my skills by attending industry events.
My studio in Darkan is set up for photographing portraits in a controlled lighting environment.

Australian Stock Photography Library

The Austockphoto stock photo library, launched in 2016,  is a resource which licenses exclusively Australian photos to clients worldwide.

Australian businesses are loving having Australian images to illustrate their stories online, to use for printed brochures or for advertisements. Government agencies and not-for profits are also accessing the stock photo library for getting their messages out to the community.

I am a foundation contributor to Austockphoto, and I enjoy creating images which portray Australian agriculture and the country lifestyle in rural and regional Australia.

Most of the stock photos sold by Austockphoto feature people, so I am always looking for people who are happy to have their photos taken to upload to the stock photography library. Because of my rural location and the farm photography work that I do I like to add photos of Australian Country life too. I aim to capture authentic Australian life, so I don’t seek out professional models or extraordinarily good-looking people. My family make good models!

Some of my most popular images in the Austockphoto library are of very ordinary, everyday subjects. A mum and her kids at home, a couple of blokes enjoying a drink, a kid with his footy, teenage girls hanging out.

Stock photo of three teenage girls in the street, by caro telfer, photographer
Teenage girls hanging out.
Photo of a child peeking around the doorway. Photo by Caro Telfer, photographer.
A little girl peeking around the door waiting for visitors
Photo of a young boy holding his football
This photo of a young boy with his footy has been very popular with photo buyers.
Stock photo of a mother holding a baby, and young child looking at camera.
This very ordinary family household scene has sold several times through the Austockphoto library.

 

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Who WAS Anita Jean?

Image of Anita Jean Photography logo

Anita Jean is dead.

Anita Jean never was…

Previously I traded under the business name “Anita Jean Photography”, which confused people who expected my name to be Anita. But Anita Jean was not a person.

Anita Jean was the name I gave myself when I didn’t know who I was, and it was in fact the name that my parents had chosen for me before I was born. When they saw the newborn me they realised that the name wasn’t a good fit, so they chose a different one. But when I lost my way as a young person and experienced chronic depression and anxiety, I wondered who the real me was. Maybe I was Anita Jean? That name gave me a persona under which to pursue my photography career.

More than twenty years later I have sought the medical help needed to overcome the effects of Bipolar Type Two, which so limited my enjoyment of life for so long.

At the age of fifty I felt that I finally knew who the real me was, so laid Anita Jean to rest.